Cho Hakkai (
reformedsinner) wrote in
thegalley_tlv2022-08-16 08:25 pm
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Entry tags:
[002.b. - spam/network]
cw: eye & hand injury, likely some self-destructive thought processes in tags
[open/spam, the infirmary]
Gonou does not fight back when his punishment is given, nor when it is carried out. The Infirmary is busy, the cries of pain from the beds around him disorienting; he gets up, after a few minutes of rest have cleared his head enough that he doesn't think he'll fall, and tries to find his way to a seat away from the beds. He's slow and clumsy, his one good hand held out in front of him to avoid running into anything important. Eventually, he finds a wall, and turns to plant his back against it and sit down there.
He hopes he's out of the way. He'll just -- take a little time to rest, here, and hope that at some point someone will arrive who's able and willing to take him back to his room.
[open/spam, afterwards]
He's been assigned to hard labor at the oars, but even though he heals a little faster in this body than he had in a human one, the stump of a hand takes more than a few days to heal over enough for a prosthetic to be fitted on it. He's spending a fair amount of time in his room, practicing mapping the space, practicing listening. He's trying to keep his fresher socket cleaned and bandaged; he knows the routine, even if it's harder one-handed, and harder still blind.
He goes to meals. His ears flick with paranoid speed when he's in a crowded room, trying to track the multiplicity of sounds around him, trying to feel out the echoes of the space; sometimes he walks into something, and sometimes this means he drops the tray he has to balance in one hand. When he does, grimly determined, he'll drop to his knees and do his best to clean it up.
Once or twice, he's allowed into the yard, but he finds that space even more overwhelming than the mess hall, and lingers very close to the door, keeping his head down.
After the first week, he adds rotations on the oars. Wherever he's seated, quietly, he'll ask the name of the person beside him.
Network, audio, a few days after the mutiny
[Gonou's voice is soft, a little hoarse. He just has one thing to ask:]
Who's still alive?
... Please don't reply in text.
[open/spam, the infirmary]
Gonou does not fight back when his punishment is given, nor when it is carried out. The Infirmary is busy, the cries of pain from the beds around him disorienting; he gets up, after a few minutes of rest have cleared his head enough that he doesn't think he'll fall, and tries to find his way to a seat away from the beds. He's slow and clumsy, his one good hand held out in front of him to avoid running into anything important. Eventually, he finds a wall, and turns to plant his back against it and sit down there.
He hopes he's out of the way. He'll just -- take a little time to rest, here, and hope that at some point someone will arrive who's able and willing to take him back to his room.
[open/spam, afterwards]
He's been assigned to hard labor at the oars, but even though he heals a little faster in this body than he had in a human one, the stump of a hand takes more than a few days to heal over enough for a prosthetic to be fitted on it. He's spending a fair amount of time in his room, practicing mapping the space, practicing listening. He's trying to keep his fresher socket cleaned and bandaged; he knows the routine, even if it's harder one-handed, and harder still blind.
He goes to meals. His ears flick with paranoid speed when he's in a crowded room, trying to track the multiplicity of sounds around him, trying to feel out the echoes of the space; sometimes he walks into something, and sometimes this means he drops the tray he has to balance in one hand. When he does, grimly determined, he'll drop to his knees and do his best to clean it up.
Once or twice, he's allowed into the yard, but he finds that space even more overwhelming than the mess hall, and lingers very close to the door, keeping his head down.
After the first week, he adds rotations on the oars. Wherever he's seated, quietly, he'll ask the name of the person beside him.
Network, audio, a few days after the mutiny
[Gonou's voice is soft, a little hoarse. He just has one thing to ask:]
Who's still alive?
... Please don't reply in text.
Re: Mess hall
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[Handwave/timeskip or bring in either of the Advocates?]
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"Here. They came with me. Can you smell it?"
He puts Gonou's hand around the smooth surface of a small clay flowerpot, and rubs one of the leaves enough for a faint scent of wild garlic to trickle into the air.
Re: Mess hall
Gonou's still for a moment, fingertips mapping the pot. He bows his head in a brief struggle against emotion.
"They -- I'm glad," he whispers, and raises his head, turning it in Jedao's approximate direction and trying for a smile. "It's lucky I gave this to you. My plants didn't." Not that he'd been particularly attached to them, except in the way that caring for a little living thing every day breeds attachment.
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Maybe that's too much weight to put on a sprouted garlic clove, but it's just a plant. It won't care.
(He's desperately glad that Jedao's not left behind, too, but-- he knows better than to assume that any one of them on this ship is okay.)
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"What - fuck, what -" Jedao exclaims, startled into something almost like a laugh.
Re: Mess hall
He lets out a strangled noise of sheer panic and grabs for Jedao's shoulder, not even considering his claws.
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"I got you," Jedao promises, brain catching up to his reflexes a second later. He feels as adrift as ever but he at least knows how moving in microgravity works. "You're okay, I got you."
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"Do you," he manages in a voice half an octave higher than usual, "know what just happened--?"
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... he has heard about other functions on these ships falling, though.
"If the gravity isn't working," he says, finding a new and unfortunate cause for alarm, "can we trust the air?"
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"So. Don't hold my breath if it goes, and don't panic for at least the first few seconds...."
And after that, maybe panicking would be in order.
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If it's the Oars - stars, they'll all have to hope it's not the Oars.
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He nods again -- perhaps irrationally, talking about possibly losing air is making him feel calmer about losing his orientation in space -- and tilts his head in a direction that may or may not be 'up.'
"...are we about to hit the ceiling?"
Re: Mess hall
Impact is a very hard word for a very gentle bump, in this case. Jedao twists them just a little as they get there, and pushes off with the side of the arm still holding the garlic pot. He gets in a little kick as they go, setting them on a gentle spin as they float back down towards his narrow bed.
If he weren't a prisoner, he thinks - if he had his proper mothpushes - and even so. It's almost like dancing. Dancing in the air.
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He's very glad he's not prone to motion sickness.
Carefully, he probes down behind them with one foot, looking for anything he can hook it around and stay.
Re: Mess hall
He doesn't really get the chance to say more, though, because a proper push, even a small one, sent them down faster than they went up. Jedao tucks the flowerpot under the bed - on the floor, but even if it floats a few inches, it can't get any higher, and should be safe - right before his back hits the mattress, and he grips the frame with his now-free hand, the other still solid around Gonou's waist.
"There."
Re: Mess hall
"Okay," he says aloud, slumping with relief, at which point it hits him that their place of sanctuary is in fact 'clinging to each other on Jedao's bed.' He can feel his cheeks and ears go hot.
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It's one thing to realize he's in a not-unwelcome compromising position and another thing to have Jedao bringing up logistics.
He takes a deep breath, and attempts, lightly, "You'd need some creative use of rope just to avoid drifting away--"
But, also: voice dropping to a lower, equally wry register, he confesses, "--not that I know what goes into porn." Other than, obviously, sex. It's probably easier to get videos where Jedao comes from, but he's never really had the chance to flip through a risque magazine, either....
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Creative use of rope, on the other hand -
"Really?" he asks, not derisive, just surprised.
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cw suicidal ideation
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